What do Spiderman: Turn off the Dark and the Apple Newton have in common?
I’m sure the new broadway musical Spiderman: Turn Off the Dark will be pretty spectacular… uh, if it ever gets off the ground. The show ‘is expected to involve more flying and special effects than any Broadway show in history [38], with actors and dancers swinging over the heads of audience members.’ (from NYT ) But are these 38 stunts too ambitious? Are they really necessary to wow the audience?
The show has been plagued by money woes, technical issues, and injuries; ‘production shut down for months in 2009 after the original set of producers could not raise the money to capitalize the show, which at the time was estimated to cost around $40 million’- now up to $65 million, making it the most expensive show in Broadway history. (from NYT) Technical delays and multiple injuries have pushed back the start date of the show nearly a year after its originally scheduled February 2010 date.
Ok, so a few problems, but if it’s stunning and new and will be great, that makes up for all the problems, right? Ehhh… enter another worry, the reviews haven’t been great either.
Richard Lawson wrote for the Gawker:
“I’m inspired to write this because people keep getting hurt trying to make this thing work, and people keep buying tickets and then, when they are upset about the embarrassingly low quality of the show, they are being told in bitchy theater tones “It’s previews, give them time.” Well, I’m sorry, but they’ve had time. And they still can’t get their shit together. People are injuring themselves, tech is a mess, and while they struggle to figure all that out, they’re trotting out a dying turkey of a book and score and hoping that’ll suffice. They shouldn’t be charging money for tickets at this point. This thing is baaaad, guys. Really, really bad. And before you say it, this is not me trashing some ambitious can-do theater folks simply for their ambition. These are people spending tens of millions of dollars — you could do ten good, expensive shows with the money they’re spending — to create a commercial product that’s so cynical it seems to operate under the assumption that a good story is unnecessary so long as there’s neat-o flying. ” (full review here)
And Jeremy Gerard of Bloomberg News wrote:
“It wasn’t Gotterdammerung, but it was a thrill not unlike riding the Cyclone roller coaster at Coney Island: An hour of anticipation for about 90 seconds of exhilaration. At least we didn’t have to stand in line. The many longueurs were significantly offset by two key elements — the visual design that includes George Tsypin’s inventive, perspective-skewing sets and Donald Holder’s fantastically variegated lighting, and the ferociously athletic choreography of Daniel Ezralow… [w]hat the team, which includes Glen Berger, co-author with Taymor of the book, has put together so far is hardly the worst show of all time. It is, however, an unfocused hodge-podge of story-telling, myth-making and spectacle that comes up short in every department.” (full review here)
Ouch. Not exactly the type of reviews you want to hear after spending 9 years on development and $65 million dollars. Which brings me to ask a truly audacious question: Is it really worth it? Is the technicality of the show, costing so much money and causing so many injuries, detracting from the story (hmm…the 2nd act is reportedly not even finished) or even what the audience wants? Not to step on creative toes- because I think the ambition and ideas are wonderful- but I think the technical elements of this show are ahead of current consumer demands.
Could Spiderman have pushed the ‘wow factor’ without pushing it this far- what would 25 stunts have done for the audience? Or even one or two really awe inspiring flying moments over the audience- Spiderman would still have been the ‘first’ to bring this feature to Broadway! Would more attention to the overall show- the storyline , music, costumes, set, and technicality- have made for a better effort to ‘wow’ the audience? Does the audience really care about the extra technicality- or do they care about the overall show? I’ll all for pushing the envelope with ‘crazy’ and ‘new’ ideas- ask the big bossman in DC, who gets at least one ‘I was just thinking… or I had this really weird thought…’ email/phone call from me a week. But I’m also all about trying to really understand what these ideas will do for our consumers- and how we can implement them giving current and emerging assets. I’m not saying that every idea I pitch to the big bossman is feasible- trust me, most are insane- but I’m not sure if the team behind Spiderman ever went through the ‘we think this is a great idea, now how do we implement it to best serve our consumers’ gut check. An idea can’t be truly great if it doesn’t meet consumer demand- and I think in Spiderman’s case, the technical elements have outpaced consumer demand, making a very ambitious, almost great, idea fall flat.
So how does Spiderman: Turn Off the Dark relate to the Apple Newton? The Newton is another example of a very ambitious technology that wasn’t exactly an astounding success. The Newton was introduced in 1993 and was among the first PDAs, ‘[b]ut [d]espite its groundbreaking design, touchscreen with handwriting recognition, and internal modem add-on, the Newton’s $700 price tag and notoriously buggy software led to years of slow sales …Steve Jobs eventually axed the project after returning in 1997.’ (from Time, full article here)
Hmm, sound similar to Spiderman: Turn Off the Dark? Groundbreaking, pricey, and buggy. But even though the technology wasn’t quite up to snuff at the time of its launch, and ahead of its time in terms of consumer demand, it did pave the way for oh, you know, those little devices called iPad/iPhone? Apple smartly revisited the failed PDA- I’m assuming after lots of research about what consumers really wanted from a PDA and reintroduced an improved PDA along with the birth of the Internet- and bam! a success. (and since we all know what assumptions make out of you and me, please correct me if I’m wrong) Consumer demand and technology were more equally matched, unlike when the Newton was first introduced, when consumer demand and the new technology weren’t quite in sync with each other.
I think we need to apply this filter to our thinking- with so many innovative, groundbreaking, and creative new technologies bursting onto the scene, it would be a shame if they were to fall flat because we haven’t done our research (oh gosh, that awful word again!) and ensured that consumer demand and need actually meets these great innovations in technology. Because these technologies can be great- evidenced by Apple’s eventual success with PDAs- but only when consumers are ready for the advancements in technology. Being ‘geeked’ by technology is certainly great for creativity and innovation, but on the revenue side, not so much. Tech enthusiasts can’t just push these new technologies through the market, consumers need to be able to realize the full benefits of the new technology for a true success.
What are other examples of technological innovations that have been/are currently on the market but are perhaps not completely ready for consumer demand? My thoughts immediately turn to 3D TV… what are your thoughts?